Dance has been my passion since childhood. Over the years, I’ve immersed myself in diverse techniques and traditions. Israeli folk dance brought me joy and community, ballet taught me discipline, precision, and strength, and Gaga movement research opened a path to an expansive range of inner sensations. Juxtaposing and layering these languages has shaped my voice as a choreographer.

 

I work with both improvisation and set material as expressive tools. My style centers clarity through presence, real-time choices, trusting instinct, and sensing the body from within. I explore gravity, breath, spinal articulation, vocalization, and “seeing” as a physical act. My physical practice is one of shedding unnecessary tension while cultivating elastic power, where movement flows and energy spreads.

 

I’ve been choreographing for 15 years and have created multiple solos, duets, and group works. In 2022, I founded my company, More Fish, as a creative home for myself and my collaborators. We perform in festivals, produce original works, and run community engagement projects in New York City. In 2023, I started as an adjunct professor at NYU Tisch. There, I have set two of my works on the dance major BFA students and am scheduled for a third in Spring 2026.  

 

As I mature, I find my vocabulary becoming clearer. I’ve begun integrating other disciplines such as music composition and text into my choreographies. I’m currently working on a new solo, supported by NYSCA, that brings these new elements together and will premiere in New York City in Fall 2026. This new solo is titled “The News” and will portray a journey from consuming headlines to reclaiming personal voice. It will ask how one lives with constant exposure to crisis, and what role art can play in a world that often feels like it’s falling apart.

 

Looking ahead, my goal is to build a stable and thriving home for my work. I want to offer consistent work for my collaborators. To provide them with a stable income, but also because when a group works together daily, the art becomes something deeper. I’m eager to see what my choreography looks like on larger stages with the help of professional designers, and I’m excited to keep learning how to be both a better creator and a better leader for my community.